Validation. That’s the topic of my sermon today.
Around the beginning of the year I joined a self-publishing group with quite a collection of writers who are at various stages of their writing careers. Some have been published for 30+ years, some are on their first title. I’m really enjoying the good advice and information I’m getting through this group and it has been giving me a lot to think about as I make my journey through writing and that final question I’ll ask after I type that concluding “THE END” on my stories: “What do I do now?”
The answer comes with more questions than one might have had 20 years ago. Hell, more questions than one might have had 4 years ago. Self-publishing is finally coming out of the closet in a way. It’s no longer a dark and dirty word it used to be. In fact, many of the writers I lurk around (I don’t really have a lot of experience to share on that loop right now) seem to have the opinion that if they could do it all over again, they would have gotten into self-publishing a lot sooner in their careers. But unfortunately, the world simply didn’t have the resources and technology for writers back then that it does today. eBook and Print on Demand (POD) has opened the world to the written word that can barely even be measured anymore. Anyone can be a writer these days. Anyone can have a book for sale at Amazon. But in the end, what really resonated with me this week was a fellow writer who stated that she was ashamed to admit, but she still needed the validation of a publishing company to publish her book. It got me to thinking about what exactly validation is and why we still seek out this so called validation from others.
The letter Julie Garwood sent me when I was 16.
As many who follow my blog know, I started writing stories as a child, and finished my first 49K word novel by the time I was 17. I was destined to be a published writer and I knew that one day I would get there. In fact, when I was 16 I wrote a letter to my favorite author at the time, Julie Garwood, in which I told her that I hope to see my own books by hers at our local Waldenbooks someday (Waldenbooks has since gone out of business. Told you, this was the early nineties.) Surprisingly enough, Ms. Garwood wrote me back, stating, “Good luck! I hope to see your name on the bookshelves at Waldenbooks too.” I was ecstatic, and from that good luck wish, I saw clearly my life goal. That was the benchmark I set for myself as “validation”. To have my book on a bookstore bookshelf so not only Julie Garwood would see it, but my family, friends, people I went to school with, co-workers, etc, and so they would know without a doubt I was a “real writer”. And real writers have a big name publishing company publish their books.
After high school, nothing much happened with the manuscript I wrote, and it eventually made its way to dust collector as I started college (and eventually dropped out of college). I still wrote, but at this time I was writing fan fiction. Say what you will about fanfic, and I’ll most likely agree. But fanfiction provided something I never had before. Instant gratification and FEEDBACK. Not to mention, I produced some significant volume of words. One fanfic I wrote was 104k words. That’s nothing to turn one’s nose up at, but it still didn’t mean I was a “real writer”. I wasn’t yet validated. I still needed to share with the world my own characters and plots, and show the world my own shelf at the bookstore, which was now at Barnes & Noble, where I worked during that time.
By the age of 28 I went back to college, because that’s the only real “validation” most of society wants to see (but also because I wanted to). I had a great experience as a Creative Writing student and produced story after story. Validation abounded. I had professors praising my work and not laugh too hard when I mentioned I wanted to write genre specific novels. (Sometimes not the best news you want to give your hard and heavy Literary Fiction profs.) I had reached a certain level of validation, but it wasn’t the big one. I still wasn’t on a bookshelf, still not signed to a NY publisher. Still had nothing to show friends, family and…Julie Garwood.
Since graduation, I’ve gone on to publish all my short stories between various print mags, online mags, literary journals, university journals, anthologies and collections. I was perfectly well validated on a lot of personal levels, but leave it to family to deflate my ego like at super bowl football.
When I told my mom I was finally being published in a magazine, she asked with all seriousness, “Like Ladies Home Journal?” No, mom, not that. “Can I go to a store and by this magazine?” No, mom, but you can buy it online. The info didn’t compute. So, no surprise after my 16th publication and a couple of weeks from returning from last year’s RT conference where I was promoting an anthology, that I was introduced by my mom to distant relatives as “trying to be a writer”. Any validation I had, real or otherwise, felt more like a sudden sting. I was in a book, and it wasn’t the first one, but when a couple of relatives asked about what bookstores were carrying it, I had to say it’s available online. There’s an unmistakable look that comes across people’s faces when they realize that your version of successful doesn’t match their version of successful. They really want to be happy for you, but they can’t because THEY have to make an extra effort to understand what YOUR dreams and goals are.
Yes, kids, this is what books USED to look like.
So, here I am, apparently not meeting my family’s standards and still no closer to fulfilling my promise I made to Julie Garwood when I was a 16 year old. I needed to have a book on a bookshelf and the only way to do that is to get a publishing contract. After all, that’s what the last 4 years of my writing life has been about. I’m writing a monster onus in the hopes that a big publisher from New York recognizes me as the love child of Julie Garwood and George RR Martin and sign me to the biggest publishing contract on the planet with an HBO miniseries option.
And then I had an epiphany.
I spent many years turning my nose up at self-published books. Mainly because I had seen a few when they first came out and they were atrocious. I always held more pride in my craft and art than that. I was never going to go that route, because I thought I was better than that. But over the last year my mindset has dramatically changed. It’s hard to say exactly what the turning point was. I think a little bit of it came when I watched a fanfiction writer steal another writer’s work and make millions off it. All that validation I thought I needed, all those whispers in my head that I wasn’t a “real writer” unless a big time publisher published me vanished when I realized that I am in a whole different ballgame than I was 25 years ago. I want to be a writer, I want to be an author. I hope that doing so means I can pay some bills in order to have more time to write. But I don’t want to write based on what a publishing company or editor’s Magic 8 Ball is predicting to be the current trend. I know I’m a good writer. I’m not being cocky. It’s taken me 25 years, a writing degree, dozens of published stories and honest feedback from honest friends to build up the confidence to say that. I’m tired of seeking out validation, because something will ALWAYS come along that won’t be good enough for one person on the planet. I have to change my frame of mind. We ALL have to change our frame of mind and recognize good writing regardless if a NY publisher (who’s probably roped a writer into a contract that has stripped him/her of their creative rights) has published them or not. Musicians self-produce all the time. Kevin Smith got into Cannes with a black and white film financed with a credit card. Why are writers made to feel worse if they don’t have a publishing contract? And is there really a difference anyway?
Oh yeah, writers who self-publish or even go with an independent publisher can’t get their books in Barnes & Noble and/or the you-name-it brick and mortar bookstores in the world. Many writers who have proven track records and monstrous sales who have gone the route of self-publishing for the creative freedom and extra income it provides can’t get their book on the shelves. And knowing such, I see I’m going to keep Ms. Garwood waiting for a while.
In the end, I want creative control over my work. I want my vision to be mine alone. If I fail, at least I know I failed with a story I wrote, not what an editor thinks my story should be based on their bottom line. I never, EVER want to give up the rights to my stories. Some 15 years ago I read Prince’s autobiography. His advice to the world is never give up your publishing rights. (Remember his SLAVE and TAFKAP period?) It always stuck with me. Never say we didn’t learn a thing or two from the little purple wonder.
Self-publishing is a scary thought. And I admit I’m still weighing my options. I’m more confident than I’ve ever been before and have no regrets going forward with it. I’m no longer seeking validation. I’m just going to write and go where the journey leads me and remember to have fun while I’m doing it.
Sláinte
Wendy
p.s. Don’t mistake my thoughts about publishing house editors as to say books don’t need editing. THEY ALL NEED EDITING. But just be sure you find an editor who works with you and your vision, not against your vision. Make sure that after your editor has given notes, your writing hasn’t morphed into their ideal book verses your ideal book. Remember, write the book YOU want to read. Don’t compromise your vision and art for anything less.
The Paperback Writer 